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Sunday, March 11, 2012damienhirstartartanddesignculture

Damien Hirst at Tate Modern - in pictures

The Physical Impossibility of Death in the Mind of Someone Living, 1991 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Beautiful, childish, expressive, tasteless, not art, over simplistic, throw away, kid's stuff, lacking integrity, rotating, nothing but visual candy, celebrating, sensational, inarguably beautiful painting (for over the sofa), 1996 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates In and Out of Love (White Paintings and Live Butterflies), 1991 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Isolated Elements Swimming in the Same Direction for the Purpose of Understanding (Right), 1991 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Lullaby, the Seasons Spring, 2002 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Mother and Child Divided, Exhibition copy 2007 (original 1993) Photograph: Damien Hirst and Science Ltd/Tate/Tate Images Sinner, 1988 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Spot Painting, 1986 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates A Thousand Years, 1990 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates Sympathy in White Major - Absolution II, 2006 Photograph: Damien Hirst and Science Ltd/Prudence Cuming Associates

Source: The Guardian ↗

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