| Sep 16, 12 | Hedda Gabler; King Lear; The Judas Kiss – review | | No data |
| Sep 13, 12 | The Judas Kiss – review | | No data |
| Sep 9, 12 | Freddie Fox: 'I liked throwing the toys out of my pram' | | No data |
| Aug 24, 12 | Parade's End: why Tom Stoppard's return to TV is a cause for celebration | | No data |
| Jun 19, 12 | Endurance performances: Why length matters in the theatre | | No data |
| May 7, 12 | A headmaster's view on South Downs | | No data |
| Apr 29, 12 | South Downs/ The Browning Version – review | | No data |
| Mar 26, 12 | The Guardian Open Weekend - in pictures | | No data |
| Mar 25, 12 | David Hare: BBC news reporting is incredibly cowed | | No data |
| Mar 21, 12 | David Hare live webchat – your questions answered | | No data |
| Feb 19, 12 | Theatres taking fewer risks as funding dries up, warn playwrights | | No data |
| Jan 31, 12 | H is for David Hare | | No data |
| Dec 24, 11 | The Review Christmas quiz | | No data |
| Dec 12, 11 | The reviewer reviewed: 40 years of Michael Billington | | No data |
| Jul 21, 11 | Iraq on stage – quiz | | No data |
| Jul 5, 11 | Anna Massey obituary | | No data |
| Jun 20, 11 | Edinburgh film festival: Page Eight – review | | No data |
| Jun 18, 11 | The best holiday reads | | No data |
| Jun 9, 11 | The artists' artist: playwrights | | No data |
| May 31, 11 | Verbatim theatre lets the truth speak for itself | | No data |
| Mar 30, 11 | The arts cuts: David Hare, Stephen Poliakoff, David Peace and others give their verdicts | | No data |
| Feb 27, 11 | Racing Demon – review | | No data |
| Feb 24, 11 | The Breath of Life – review | | No data |
| Feb 17, 11 | Racing Demon – review | | No data |
| Feb 13, 11 | The Children's Hour; Plenty; The Heretic – review | | No data |
| Feb 9, 11 | Plenty – review | | No data |
| Feb 2, 11 | David Hare on stage and screen – in pictures | | No data |
| Feb 2, 11 | Hattie Morahan: unhealthy obsessions | | No data |
| Dec 18, 10 | Guardian Review literary quiz answers | | No data |
| Nov 23, 10 | Amy Sackville wins John Llewellyn Rhys prize for The Still Point | | No data |